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His efforts to westernize Turkey have led to mixed results. This article needs additional citations for verification. From Wikipedia, the free encyclopedia. This article is about an Orhan Pamuk novel.

The Black Book (Pamuk novel) – Wikipedia

The questions of who we are and whether its possible to change who we are return on at least two other levels: This section possibly contains original research.

Unsourced material may be challenged and removed. Should the Turkish people embrace Western European culture, or should they remain true to their heritage? It turns out that Celal and the woman had an affair, and the fan who is calling Galip is the woman’s jealous husband. The novel in many cases implies that embracing the former will destroy not just historical and cultural heritage, but also the Turkish people themselves see part where Galip takes the tour of the underground mannequin museum.

Galip finally agrees to meet both of them at a public location, a store called Aladdin’s that figures in much of the narrative. This page was last edited on 31 Octoberat We know however, that Celal longs to become someone else as well this is clearly visible from some of his columns – see for example the one titled ‘I Must Be Myself’.


Orhan Pamuk’s Kara Kitap”. Please help improve this article by adding citations to reliable sources. The main theme of the novel is identity, and it returns on many levels. This is a city were East and West, antiquity and the modern, Islam and the secular, the rich and the poor, the pashas and the peasants are all present.

September Learn how and when to remove this template message. The question always lingers: Retrieved from ” https: The questions of Turkish national identity are referenced several times, in relation mainly to the perceived westernization of Turkish neor.

Init was translated into English again by Maureen Freely. Essays and a Story Istanbul: Views Read Edit View history. Pages using citations with accessdate and no URL Articles needing additional references from September All articles needing additional references Pages to import images to Wikidata Articles that may contain original research from January All articles that may contain original research.

Galip for example, is clearly not happy with who he is. He dislikes his life as a lawyer, and has envied the successful Celal for years. For other uses of the term, see Black book disambiguation.

Orhan Pamuk

By using this site, you agree to the Terms of Use and Privacy Policy. Is their culture and identity decaying or only transforming? The plot shows how he gradually changes his identity to become Celal, living in his flat, wearing his clothes and even writing his columns. The identity of the killer is never discovered for certain. He wanders around the city looking for his clues to her whereabouts.

Please improve it by verifying the claims made and adding inline citations. This strange lifestyle can imply that she is also not satisfied with who she is, or how her life turned out, but perhaps she does not consciously think about it, or admit it to herself.


Statements consisting only of original research should be removed.

Istanbul ‘s identity as a city, and the identity of the Turkish people. In an eerie twist, it turns out that the husband has been following Galip around Istanbul in an attempt to find Celal through him, accounting for I, frequent apprehension that he is being watched.

The novel ends neroo the postmodern twist of the author revealing his presence in the narrative. January Learn how and when to remove this template message. Soon after, Celal is shot to death in the street.

The story of Galip’s search is interspersed with reprints of Celal’s columns, which are lengthy, highly literate meditations on the city and its history. As such, it is full of stories within the main story, relating to both Turkey’s Ottoman past and contemporary Istanbul. He suspects that his wife has taken up with her half-brother, a columnist for Milliyet named Celal, and it happens that he is also missing.

Galip starts getting mysterious phone calls from one of Celal’s obsessed fans, who displays an astonishing familiarity with the columnist’s writings. It seems that she prefers to nrro from reality to the world of her detective novels, although Galip doesn’t seem to think much of these.